Bucket Siler — A currency that isn’t gold-standard/having gold be...

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Small fantasy worldbuilding elements you might want to think about:

  • A currency that isn’t gold-standard/having gold be as valuable as tin
  • A currency that runs entirely on a perishable resource, like cocoa beans
  • A clock that isn’t 24-hours
  • More or less than four seasons/seasons other than the ones we know
  • Fantastical weather patterns like irregular cloud formations, iridescent rain
  • Multiple moons/no moon
  • Planetary rings
  • A northern lights effect, but near the equator
  • Roads that aren’t brown or grey/black, like San Juan’s blue bricks
  • Jewelry beyond precious gems and metals
  • Marriage signifiers other than wedding bands
  • The husband taking the wife's name / newlyweds inventing a new surname upon marriage
  • No concept of virginity or bastardry
  • More than 2 genders/no concept of gender
  • Monotheism, but not creationism
  • Gods that don’t look like people
  • Domesticated pets that aren’t re-skinned dogs and cats
  • Some normalized supernatural element that has nothing to do with the plot
  • Magical communication that isn’t Fantasy Zoom
  • “Books” that aren’t bound or scrolls
  • A nonverbal means of communicating, like sign language
  • A race of people who are obligate carnivores/ vegetarians/ vegans/ pescatarians (not religious, biological imperative)

I’ve done about half of these myself in one WIP or another and a little detail here or there goes a long way in reminding the audience that this isn’t Kansas anymore.

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Free Writing Advice for Fiction Writers

Hey did you know I send out free writing advice emails for fiction writers?? Really. I do this about once a month (sometimes more, sometimes less), and it’s a great way to make sure you don’t miss one of my new blog posts. Also, people on my list get a lot of other pretty amazing things, too…

  • Fiction writing tips and advice from yours truly sent directly to your inbox (about once a month—sometimes more, sometimes less)
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How to Spot Bad Writing Advice: 6 Red Flags to Look For

First of all, I’m not by any means the authority on what makes good or bad writing advice! Writing is an art. There are no rules in art, which means that writing advice, by extension, is highly subjective.

In my opinion, if it works for you, if it helps you improve and be happier with your writing, that’s good writing advice. If it hinders you, takes you down the wrong path, fucks with your creative process, causes more confusion than clarity, that’s bad advice. So when you’re sorting the good from the bad, go with your gut, and don’t let anyone bully you into their way of thinking, regardless of how credible, famous, or experienced they are. However…

If you’re a new writer, it can take a while to tell the difference between helpful (”good”) writing advice and unhelpful (”bad”) writing advice.

Remember that literally anyone can pose as an expert and offer writing advice. As a published fiction writer, professional editor, and writing teacher, I see a lot of writing advice floating around that I just don’t agree with. Figuring out how to sift through everything takes time, but here are some red flags to keep an eye out for:

Red Flag #1: Hard-and-Fast Rules

Bad writing advice gives hard-and-fast rules, and doesn’t allow for exceptions. It liberally uses words like always and never. (Example: “Never open a book with the weather,” “Always punctuate your dialogue like this,” “You can’t write a novel that’s longer than 100,000 words,” etc.)

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Writing Advice Posts: A Handy Reference Guide

(Updated 01/2025) Hey all, I’ve got quite a few writing advice posts & answered Asks on my blog at this point, so I’m making this reference guide to make it easier to find what you’re looking for. Hope it helps!

Free Resource Library for Fiction Writers

Get access to my Free Resource Library on my website.

Writing Advice Emails

Join my email list and get free writing advice emails sent straight to your inbox. You’ll also get early notification of any discounts or giveaways, and direct access to me to ask questions about writing. It’s totally free and you can unsubscribe anytime!

Books

The Complete Guide to Self-Editing for Fiction Writers is my comprehensive, step-by-step editing guide which you can purchase on my website.

General

The Writing Process, Writer’s Block, & Inspiration

Character Development

Story, Plot, & Pacing

Description, Setting, & Worldbuilding

Point of View

Dialogue

Publishing & Sharing Your Work

Editing

Miscellaneous

…if you find any broken links please let me know and I will fix them!

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Writers: It’s Okay to Experiment and Be Weird As Fuck

With so much writing advice out there telling you what to do and not do, it can be easy to forget that writing is an art, and there are no rules in art.

Yes, learning about different writing techniques is great. Developing a language to talk and think about writing is important. Absorb everything you can. Reading, studying, and practicing are integral to improving your writing. Obviously, I run a writing blog, so I believe in the power of increasing your knowledge about writing and literature.

But don’t forget that, in the end, you can do whatever the hell you want to. Experiment. Have fun. Play. Follow your instincts. Break the “rules.” And don’t listen to anyone who says that no one wants to read weird, nontraditional writing. They do.

For most of my writing life, I’ve kept my crazy, experimental stories hidden away, because it seemed like anything I wrote that wasn’t a straightforward, traditionally-structured story with a main character and a plot wasn’t appreciated by readers. But guess what? One of my weird-as-fuck stories won second prize in a contest this fall, and when I asked the editors why they chose it, they said they liked it because it wasn’t like every other story in the submissions pile. It was different. It was weird. It took a risk. And for that reason it stood out from everything else they read.

It took me years to quiet the chorus of conformity and embrace my weird side. Don’t let that happen to you. Get wild. Write whatever you want. Do it now. We need freaks like you, or we’re all going to whither and die of boredom. Give us everything you’ve got. We need it. We need YOU.

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theliteraryarchitect

Anonymous asked:

Do you have a masterlist of all your advice?

theliteraryarchitect answered:

Hi! My writing advice is kept in a few different places:

  1. All of my original writing advice on Tumblr gets tagged and put on a page called Writing Advice, which is accessible from the menu on my main blog.
  2. I also keep a writing advice blog on my editing website The Literary Architect.
  3. You can sign up to get my writing tips via email. (This link will take you to download my Free Resource Library. Some of these tips are recycled from my Tumblr and blog, but there’s also new ones and they come straight to your inbox, which means you won’t miss them if you’re away from social media.
  4. Lastly, I am working on a more comprehensive book (a master story-building guide), but it’s going to take me a few months to finish it. I’ll announce it here and to my email subscribers as soon as it’s done.

Thanks for writing & hope this helps!

theliteraryarchitect

Update: I made a master guide to all my posts! It’s right here.

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How to Do World-Building Research

Whether you’re building a fantasy world from complete scratch, or mentally designing the suburban house your very realistic story will take place in, at a certain point in your writing process you’ll need to plan out your story world. Here are a few world-building research methods to get you started:

Ask Questions

Ask anything and everything you can about your world. Each story will require different lines of inquiry. Listen to your story and follow the questions it seems to want you to investigate. What kind of car did your main character’s grandpa drive? How was the president elected? Why is everyone so obsessed with peanuts? The answers might appear in the story you’ve already written, in your imagination, or you may have to delve deeper into your research to find them.

Draw a Map or Create a Model

Is your story world so complicated it’s making your head spin? Get out paper or other materials and make a visual representation of it. This could mean making a floor plan of your main character’s house, or mapping out an entire town, country, or kingdom. Physically creating your world is research in itself, but it can also guide you to new lines of questioning. You might discover that your story world contains a lot of lakes, or elk, or antiques, which in turn pushes you to research craters, or migratory patterns, or the history of antiques, which then leads you back to questions about meteors, or a lineage of hunters, or a family history of con artists, etc.

Outside Research

You may need to read history books, watch documentaries, conduct interviews, research online, or conduct first-hand research to get your questions answered. If your story takes place in Kansas and you’ve never been there, you could plan a trip, watch movies or read books set in Kansas, or talk to people who have lived there. Remember to record sensory details as well as facts. How does the air feel? What colors are prominent?

Take Notes

No matter what research method you use, take lots of notes. These can be straightforward recordings of the facts, or more creative expressions of what you encounter. Maybe something you stumble across will inspire you to write a poem, make a drawing, take a photo, create a mood board, or outline a new character. Keep in mind that your best ideas might come when you’re not actively researching, so keep a notebook or device nearby to record ideas that pop up when you’re not expecting them.

Use Your Own Experiences, Opinions, Ideas, and Imagination

Research doesn’t just mean looking into what other people say, think, or feel about a time, place, or topic. It can also mean exploring your own thoughts and perceptions! Say you’re researching a story that takes place in Oklahoma during the Great Depression. You’ll want to read history books, conduct interviews, watch films and documentaries, read novels set in that time period, research online, and perhaps even travel. But while you’re doing this, also pay attention to how you think and feel about the information you’re gathering. What details stand out to you? Does something you encounter make you mad? Why? What interests you about this time and place—and what bores you to tears?

When to Stop Researching

Some writers absolutely love story building… to the point that they never want to stop researching and actually write or revise their story! If you notice you’re procrastinating by languishing in the research stage, it’s time to get back to your story. As you return to the writing, you’ll probably find that you need go back to story building, then back to the writing, then to story building again. So don’t be too nervous about putting down your research: You can always go back and revise your world if you need to.

Of course, it’s completely acceptable to be obsessed with story building. All writers have their own attachments—elements of story telling that they love above all others. Some people get obsessed with a character, a plot, a setting, a theme… So if you’re a writer who loves your worlds, don’t be afraid to own it. Lots of amazing writers— especially science fiction and fantasy writers—are known for being huge world building geeks. If that’s what excites you, indulge! Just be aware of when you might be using it as a crutch because you’re nervous about composing or revising your story, and challenge yourself to move on—knowing, of course, that you can always come back to it if you need to.

Hope this helps!

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Fiction Writing Advice Posts

Hey all, Some of you know that in addition to this Tumblr blog I also keep a blog on my website. A lot of the posts overlap, but not all of them, so I’ve made this list for your reading pleasure:

Want to make sure you never miss a new blog post? Sign up for my writing advice emails and get a new blog post sent straight to your inbox about once a month.

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“Show Don’t Tell”? Not Always. Here’s When to Use Summary.

I was inspired to write this post after getting a great anonymous question in my Ask: “What’s your opinion on the whole ‘show don’t tell’ advice? Do you have any tips for when to show and when to tell?”

Here’s my response:

I honestly think that “show don’t tell” is one of the most over-quoted and least-understood pieces of writing advice out there.

For those of you who aren’t familiar, “show don’t tell” means that instead of explaining or telling something to your reader (“Sheila was reckless and impulsive”), you should show Sheila’s impulsiveness through action or dialogue. For example, “Even though her rent was overdue, after she got her paycheck Sheila spent $400 on an antique toilet.” This would allow the reader to draw the conclusion that Sheila was impulsive for themselves, rather than being told.

Theoretically, this is great advice for new fiction writers, who, left to their own devices, tend to write their stories entirely in “telling” mode.

But summary (telling) has a place in fiction as well, and it’s an important one.

For one thing, summary allows you to pace your story. If everything is shown in the moment, a story can sometimes seem to be unfolding with breathtaking speed. Alternating with a bit of summary allows your reader to slow down for a break every once in a while.

Secondly, scene takes a lot longer to write than summary. In the earlier example, it might take several scenes or hundreds of words to thoroughly show and convince the reader of Sheila’s impulsiveness. Whereas the sentence “Sheila was impulsive” takes three words. So summary can allow you to fit more into your story or novel and keep it a reasonable length whereas if you wrote every single little thing that happened in scene your story might be prohibitively long.

So summary helps control the pacing of the story and also helps the writer moderate the story’s length.

Even the most fervent supporters of “show don’t tell,” as far as I know, do not dispute that every story can make use of and benefit from summary.

Try it yourself: Pick up your favorite story or book off of the shelf and see if you can locate parts of the story that are told, explained, or summarize to the reader. It’s there. It’s part of the package. Good writers use summary, and they know how to use it well.

So how do you decide when and where to use summary?

The answer is in itself another question and topic. But here’s a quick guideline:

Use summary to give the reader any information she needs which is not important enough to the story to warrant a scene, or to show the passing of time between important parts of the story.

Example #1 Using summary to quickly present inconsequential information.

If the fact that Sheila is reckless and impulsive is a central part of the story—maybe this is a story about how Sheila, your protagonist, learns to overcome her impulsiveness, for example, or maybe in this story it becomes a major issue in Sheila’s relationship that she is impulsive, etc.—then by all means show Sheila’s impulsiveness in scenes.

But if Sheila is, for example, a minor character who is only mentioned by two or three times in passing, and whose behavior doesn’t really affect the story one way or another, then go ahead and summarize Sheila’s behavior. For example, if Sheila is a distant cousin of the protagonist and is only mentioned in a few sentences when the protagonist bumps into her at a family reunion. She is not a central part of the story, but for whatever reason it’s important for the reader to know a few minor details about her.

Example #2: Using summary to show time passing between important scenes.

If your story is about a couple being trapped inside a cabin for a long winter, by all means show the bitter cold days in full scene. That’s the essence of your story, you wouldn’t want to summarize it and deny the reader the chance to experience it.

But if your story is about two friends who share a friendship at summer camp every year, you might want to recap the winter that passed between their visits in a paragraph or two.

Another time to quickly summarize time passing is to use a sentence or two when characters transition from one important location to another, e.g. “They left the movie, drove back to the house, and started dinner.” Again, check up on your favorite writers. I promise you they are not showing every single tiny action blow-by-blow. It would be tedious as hell and make it almost impossible for the reader to figure out what’s important and what’s not.

A few final words about “show don’t tell”:

  • If you’re having a hard time deciding what to put in scene and what to put in summary, you might not understand your story well enough yet. Go back and make some notes, or have someone you trust read your story and give you feedback.
  • Everyone has different levels of tolerance for summary and exposition. Find out yours. You want to be the kind of writer that you would want to read, right? Go through your favorite short stories and novels with a highlighter and highlight any passages or sentences that are telling. Are you the kind of reader who loves a page of summary about the snow falling outside, or do you prefer your stories to be more action-heavy?
  • There is a lot of bad advice out there about showing versus telling. Some writers would have you write: “She sighed deeply as a single crystalline tear gently glided down her face, tracing the line of her button nose before splashing onto the yellow formica countertop” instead of “She cried.” “She cried” is not telling! Cried is a verb: it shows. “She was sad” or “She was upset” is telling.
  • Similarly, beware of anyone who applies the “show don’t tell” advice prescriptively, or who seems to be repeating it like a parrot. Those people usually don’t know what they’re talking about. They heard that advice somewhere, and they’re just repeating it. Anytime anyone reads your writing and says, “You should show more,” without giving any further explanation, question them. Get them to specifically tell you what they’re talking about. If they can’t, find someone else to look at your writing.
  • Summary doesn’t have to be boring. When it is appropriate to summarize, look for ways to add verbs and sensory details to your summaries to keep them more vivid. Give your reader something to visualize. “My father was restless” is hard to visualize. “My father was like a squirrel on cocaine. By the time I woke up, he’d been out in the yard for hours, stuffing Easter eggs into his pocket like they were acorns,” is, well, absurd. But easier to visualize.

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@theliteraryarchitect is a writing advice blog run by me, Bucket Siler, a writer and developmental editor. For more writing help, download my Free Resource Library for Fiction Writers, join my email list, or check out my book The Complete Guide to Self-Editing for Fiction Writers.

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How to Write During a Pandemic

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Hi all, Normally I keep this blog focused on writing advice and steer away from politics, but with the COVID-19 pandemic raging and all the accompanying uncertainty about our future post-climate change, I’ve been thinking a lot about what it means to be a writer on a rapidly changing planet. What’s our responsibility in a time like this? What kind of stories do we need right now? Is it even possible—or desirable—for our individual creativity flourish when we’re scared for our very lives? With that in mind, I wanted to offer my thoughts on how to renegotiate your relationship with your writing during this crisis, as well as some proposals for how to navigate the changes to come.

WHY IT’S HARD TO WRITE RIGHT NOW

Did you think being stuck at home, underemployed, and/or socially isolated would translate to more time spent on your writing… Only to discover, um, it didn’t? You’re not alone. While shutdowns, quarantine, and self isolation may be theoretically creating conditions that give you lots of time to write, many writers are more blocked than ever right now. Here’s why.

You’re Terrified. Even in the best of circumstances, writers under capitalism are regularly paralyzed by the fear that spending time on their writing is “unproductive” (read: non-income producing), frivolous, or even reckless. So it makes sense that it would be difficult to put time into a purely recreational creative activity given the heightened survival fears arising from these extreme circumstances.

Your Stories Suddenly Seem Irrelevant. Even if you can get yourself to sit down and write right now, crisis conditions can create an existential angst that causes you to question whether what you’re writing is still relevant, important, or helpful to others. Personally, I haven’t been able to write in days. Prior to this outbreak I was working on a darkly whimsical fairy tale about a monkey and a bear that escape from the circus. I thought it was relevant and deep—the story deals with themes of feminism, transformation, and survival under capitalism. But under the bright light of a viral pandemic, stories that once seemed deeply significant can suddenly feel like irrelevant fluff.

You Don’t Know How to Do Anything Different. Let’s face it—your pre-pandemic writing life was created to work well with your pre-pandemic life life. Now that your life has changed, you need to change your writing habits, too… But you don’t know how to do anything different. So you either freeze up and get nothing done, or try to ignore what’s happening and charge ahead like nothing has changed. Neither of these techniques work well, though. Now that your life is different, you need to do something different with your writing.

HOW TO KEEP WRITING DURING A PANDEMIC

Warning: I’m not going to urge you to stay the course and push ahead with your normal writing life against all odds. I don’t think that advice is realistic, and frankly it’s not responsible, either. Creative people are the vanguards of social change. If shit is going down, it’s our job to innovate and pivot, not to cling like barnacles to the status quo.

Keep reading

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theliteraryarchitect

Free Resource Library for Fiction Writers

Hey all, I maintain a free library of downloads and checklists for fiction writers which you can access through my website. This is what's current, but I update it and add stuff all the time. They're all printable, too! Woo hoo!

Download the Free Resource Library right here.

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Get Access to the Free Resource Library on my website :)

Hope this helps!

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@theliteraryarchitect is a writing advice blog run by me, Bucket Siler, a writer and developmental editor. For more writing help, download my Free Resource Library for Fiction Writers (yep, this one!), join my email list, or check out my book The Complete Guide to Self-Editing for Fiction Writers.

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