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Tony Rice
Tony Rice on stage in 2009 with his customary Martin D-28. Photograph: Jason Merritt/Term/FilmMagic
Tony Rice on stage in 2009 with his customary Martin D-28. Photograph: Jason Merritt/Term/FilmMagic

Master bluegrass picker Tony Rice dies aged 69

This article is more than 3 years old

Fans including Steve Martin, Ricky Skaggs and Jason Isbell have paid tribute to Grammy-winning Rice, who collaborated with Jerry Garcia and Dolly Parton

Tony Rice, the master bluegrass picker, has died at the age of 69.

Rice, famous for the quick, fluid sounds conjured from his Martin D-28 guitar, died on Friday at his home in Reidsville, North Carolina, according to International Bluegrass Music Association spokesperson Casey Campbell. Rice lived in Reidsville with his wife, Pamela Hodges Rice.

Ricky Skaggs, who had performed and recorded with Rice, called him “the single most influential acoustic guitar player in the last 50 years”.

“Sometime during Christmas morning while making his coffee, our dear friend and guitar hero Tony Rice passed from this life and made his swift journey to his heavenly home,” Skaggs wrote on Facebook this weekend.

“Many if not all of the bluegrass guitar players of today would say that they cut their teeth on Tony Rice’s music. He loved hearing the next generation players play his licks. I think that’s where he got most of his joy as a player.”

Other tributes came from musicians Jason Isbell and Béla Fleck and the comedian and longtime banjo player Steve Martin.

Aw, Tony Rice. A name I’ve known my whole life. A great musician. https://t.co/33lBEgZiPU

— Steve Martin (@SteveMartinToGo) December 27, 2020

Tall and lean, and with an understated live presence that contrasted with the dynamism of his guitar, Rice had experienced health problems over the past quarter-century. A muscle disorder around his vocal cords left him unable to sing on stage, and tennis elbow limited his playing. His last live guitar performance was in 2013, when he was inducted into the International Bluegrass Music Hall of Fame.

“I am not going to go back out into the public eye until I can be the musician that I was, where I left off or better,” Rice told the Greensboro News & Record in 2015. “I have been blessed with a very devout audience all these years, and I am certainly not going to let anybody down.”

Tony Rice was the king of the flatpicked flattop guitar. His influence cannot possibly be overstated. If you aren’t familiar with his music, please look it up. I don’t know if a person can make anything more beautiful. #RIPTonyRice

— Jason Isbell (@JasonIsbell) December 27, 2020

Rice released dozens of albums, including several as a member of the David Grisman Quintet; Skaggs & Rice with Ricky Skaggs; Manzanita as leader of the Tony Rice Unit; and such solo efforts as Tony Rice and Me & My Guitar.

He played with everyone from Jerry Garcia to Dolly Parton and received many honours, notably a Grammy in 1993 for best country instrumental performance, and citations from the International Bluegrass Music Association as guitarist of the year.

Born David Anthony Rice in Danville, Virginia, Rice grew up in Los Angeles and soon – along with siblings Larry, Wyatt and Ronnie – absorbed his father’s love for bluegrass. By 20, Rice was a member of banjo star JD Crowe’s band New South and by his mid-20s he had co-founded the Grismen quintet.

A key early influence was guitarist Clarence White, a country and bluegrass star who crossed over into rock in the late 1960s as a member of the Byrds. White was just 29 when he was struck by a car in 1973, and among the possessions he left behind was a Martin D-28 that he had let Rice play when he was just nine.

The D-28, made in 1935, had a life to rival any of its owners. White once shot it with a pellet gun and another time ran over it with his van. After White’s death, Rice learned that the guitar had been sold to a friend of White’s in Kentucky and bought it for $550.

In the mid-90s, he nearly lost the guitar during a tropical storm in Florida. He was also known to keep rattlesnakes in it – an old musical tradition. “It’s a beautiful instrument,” he told Fretboard Journal in 2016. “I never pick it up but that I don’t think that. It’s got to be the Holy Grail.”

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