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Whatever Happened to Interracial Love?
Humorous, poignant, perceptive, and full of grace, Kathleen Collins’s stories masterfully blend the quotidian and the profound in a personal, intimate way, exploring deep, far-reaching issues—race, gender, family, and sexuality—that shape the ordinary moments in our lives.
In The Uncle, a young girl who idolizes her handsome uncle and his beautiful wife makes a haunting discovery about their lives. In Only Once, a woman reminisces about her charming daredevil of a lover and his ultimate—and final—act of foolishness. Collins’s work seamlessly integrates the African-American experience in her characters’ lives, creating rich, devastatingly familiar, full-bodied men, women, and children who transcend the symbolic, penetrating both the reader’s head and heart.
Both contemporary and timeless, Whatever Happened to Interracial Love? is a major addition to the literary canon, and is sure to earn Kathleen Collins the widespread recognition she is long overdue.
In The Uncle, a young girl who idolizes her handsome uncle and his beautiful wife makes a haunting discovery about their lives. In Only Once, a woman reminisces about her charming daredevil of a lover and his ultimate—and final—act of foolishness. Collins’s work seamlessly integrates the African-American experience in her characters’ lives, creating rich, devastatingly familiar, full-bodied men, women, and children who transcend the symbolic, penetrating both the reader’s head and heart.
Both contemporary and timeless, Whatever Happened to Interracial Love? is a major addition to the literary canon, and is sure to earn Kathleen Collins the widespread recognition she is long overdue.
192 pages, ebook
First published December 6, 2016
About the author
Kathleen Collins
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Kathleen Collins was a pioneer African American playwright, filmmaker, civil rights activist, film editor, and educator. Her film Losing Ground is one of the first features made by a black woman in America, and is an extremely rare narrative portrayal of a black female intellectual. Collins died in 1988 at the age of forty-six.
Kathleen Collins was a pioneer African American playwright, filmmaker, civil rights activist, film editor, and educator. Her film Losing Ground is one of the first features made by a black woman in America, and is an extremely rare narrative portrayal of a black female intellectual. Collins died in 1988 at the age of forty-six.
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Displaying 1 - 30 of 658 reviews
August 19, 2016
Elegant collection of stories. Fascinating to read fiction from a black woman about blackness in the early 1960s. There is a real edge, a slyness to many of the stories. And there is always a moment in each story where you realize the work Collins is doing beneath the skin of the story. The title story, in particular, is a masterpiece.
August 25, 2021
4.34 " sophisticated, groovy, urban, remarkable" stars !!!
BOOK THAT I WISH MORE OF YOU WOULD READ AWARD FOR 2017
This collection of short stories blew my socks off. Kathleen Collins was a black playwright, film-maker and activist. She died much too young at the age of 46 from breast cancer.
This is her only collection of prose and was published posthumously in 2016. Do yourself a favor and pick a copy up. Many of my gal pals will be getting this for their birthday...that's for sure. Dudes this book is for you too !!
Ms. Collins writes about black academic middle class women that are mostly urban in the 1960s. She explores themes of identity, love, family, equality and discrimination both between races and importantly within race. She writes with a sophistication and elegance that kept me breathless. I will remember many of these stories not just for their content but for their rhythms, emotions and deep knowledge of a particular sub type of black women that we need to understand more. I was particularly interested on the experience of the mixed race women and black women that love white men. Her conversations are vivid, meandering, sexy and spiritual. She does not tell you much about her characters but you can infer so much by what they say, what they do and how they live. I fell in love with each of these black and mixed race women and appreciated their struggles, their elegance, their refinement.
I laughed at some of their antics, shook my head at their cruelties both given and received, and empathized passionately with their experiences. Ms. Collins understands people and sees the good in them even when they behave badly.
I am also amazed that out of sixteen stories only one was average (2.5 stars). The rest were excellent, unforgettable or superb. This is no small feat and I will return to these stories in time and relive and cherish these stories again and again. Compassionately and with wisdom, Ms. Collins broadens and deepens societal understanding of a sub group of black women that struggle not only with race and gender but are sometimes looked down upon by others in their own group for their intelligence, wealth, achievements and feminist viewpoints.
In my typical fashion I will name the story, rate it and give a little snippet.
1. Exteriors...4.5 stars
sharp and true
2. Interiors.... 5 stars
one of the most sincere laments of a husband and wife
3. The Uncle... 4 stars
the magic and selfishness of chronic sorrow
4.How does one say...4 stars
illicit and sexy and affirming
5. Only once....4.5 stars
true and gorgeous
6. Conference Parts 1 and 2...4.5 stars
poetic and sad black girl blues
7. Whatever Happened to Interacial Love...5 stars
unbelievably vibrant and optimistic
Here is a quote from story
"... He does not seem to understand the shape of the world to come. He does not seem to understand that the young colored woman he has spawned does not, herself believe in color: that to her the young freedom rider of her dreams is colorless (as indeed he is) that their feelings begin where color ends (as indeed they must), that if only he could understand that race as an issue, race as a social factor, race as a political or economic stumbling block- race is part of the past. Can't he see that love is color free? She is close to tears. The gray bourgeois eyes remain fixed in her mind..."
8. Happy Family.... 4.5 stars
breathtakingly sad
A quote:
" Even now if I feel myself walk into that apartment, a sharp painful nostalgia grips me. Life took on so much color you felt you were at the center of the universe, every good thing was possible, every good feeling was alive and well, every foolish part of yourself could come to the surface without fear of hurt of disapproval. It was marvelous. I tell you it was marvelous !"
9. Treatment for a story.... 4 stars
sex and love and cousins
10. Stepping back.... 4.5 stars
Black lives and European culture
11. When Love Withers All of Life Cries... 5 stars
a love affair between two black artists...simple and profound
12. Broken spirit....4.5 stars
what happens after brief love affairs
A taste
"Sometimes I felt like we made love inside a vacuum that must have been his loneliness. Sometimes I felt like were inside his cool, graceful humor. Only once did I feel we broke all the way through to each other"
13. Documentary...2.5 stars
could have been something but wasn't
14. Lifelines....4 stars
love letters and new beginnings
15. Of poets. galleries and new york passages....4 stars
charming little artistic dinner party in nyc
16. Dead Memories, Dead Dreams....5 stars
light skinned blacks discriminate and punish their dark skinned son in law
A remarkable achievement from a woman that died much too young. Thank you Ms. Collins.
BOOK THAT I WISH MORE OF YOU WOULD READ AWARD FOR 2017
This collection of short stories blew my socks off. Kathleen Collins was a black playwright, film-maker and activist. She died much too young at the age of 46 from breast cancer.
This is her only collection of prose and was published posthumously in 2016. Do yourself a favor and pick a copy up. Many of my gal pals will be getting this for their birthday...that's for sure. Dudes this book is for you too !!
Ms. Collins writes about black academic middle class women that are mostly urban in the 1960s. She explores themes of identity, love, family, equality and discrimination both between races and importantly within race. She writes with a sophistication and elegance that kept me breathless. I will remember many of these stories not just for their content but for their rhythms, emotions and deep knowledge of a particular sub type of black women that we need to understand more. I was particularly interested on the experience of the mixed race women and black women that love white men. Her conversations are vivid, meandering, sexy and spiritual. She does not tell you much about her characters but you can infer so much by what they say, what they do and how they live. I fell in love with each of these black and mixed race women and appreciated their struggles, their elegance, their refinement.
I laughed at some of their antics, shook my head at their cruelties both given and received, and empathized passionately with their experiences. Ms. Collins understands people and sees the good in them even when they behave badly.
I am also amazed that out of sixteen stories only one was average (2.5 stars). The rest were excellent, unforgettable or superb. This is no small feat and I will return to these stories in time and relive and cherish these stories again and again. Compassionately and with wisdom, Ms. Collins broadens and deepens societal understanding of a sub group of black women that struggle not only with race and gender but are sometimes looked down upon by others in their own group for their intelligence, wealth, achievements and feminist viewpoints.
In my typical fashion I will name the story, rate it and give a little snippet.
1. Exteriors...4.5 stars
sharp and true
2. Interiors.... 5 stars
one of the most sincere laments of a husband and wife
3. The Uncle... 4 stars
the magic and selfishness of chronic sorrow
4.How does one say...4 stars
illicit and sexy and affirming
5. Only once....4.5 stars
true and gorgeous
6. Conference Parts 1 and 2...4.5 stars
poetic and sad black girl blues
7. Whatever Happened to Interacial Love...5 stars
unbelievably vibrant and optimistic
Here is a quote from story
"... He does not seem to understand the shape of the world to come. He does not seem to understand that the young colored woman he has spawned does not, herself believe in color: that to her the young freedom rider of her dreams is colorless (as indeed he is) that their feelings begin where color ends (as indeed they must), that if only he could understand that race as an issue, race as a social factor, race as a political or economic stumbling block- race is part of the past. Can't he see that love is color free? She is close to tears. The gray bourgeois eyes remain fixed in her mind..."
8. Happy Family.... 4.5 stars
breathtakingly sad
A quote:
" Even now if I feel myself walk into that apartment, a sharp painful nostalgia grips me. Life took on so much color you felt you were at the center of the universe, every good thing was possible, every good feeling was alive and well, every foolish part of yourself could come to the surface without fear of hurt of disapproval. It was marvelous. I tell you it was marvelous !"
9. Treatment for a story.... 4 stars
sex and love and cousins
10. Stepping back.... 4.5 stars
Black lives and European culture
11. When Love Withers All of Life Cries... 5 stars
a love affair between two black artists...simple and profound
12. Broken spirit....4.5 stars
what happens after brief love affairs
A taste
"Sometimes I felt like we made love inside a vacuum that must have been his loneliness. Sometimes I felt like were inside his cool, graceful humor. Only once did I feel we broke all the way through to each other"
13. Documentary...2.5 stars
could have been something but wasn't
14. Lifelines....4 stars
love letters and new beginnings
15. Of poets. galleries and new york passages....4 stars
charming little artistic dinner party in nyc
16. Dead Memories, Dead Dreams....5 stars
light skinned blacks discriminate and punish their dark skinned son in law
A remarkable achievement from a woman that died much too young. Thank you Ms. Collins.
January 4, 2017
Kathleen Collins sadly died at the age of 46, never seeing her own work published. In fact, it went unpublished for close to 30 years after her death, and this collection was only recently released, bringing together stories from her archives. Her daughter sifted through her works and put together an anthology of stories looking at black lives, especially those of women dealing with life, love, and sexuality. They are incredibly modern stories; I mean that if you gave me this collection and told me it had been written in the past year, I wouldn't be surprised. Collins touches on universal experiences of love, infidelity, romance and identity, and writes about it in such a way that is incredibly relevant. Though I didn't love all of the stories, I found something to enjoy in all of them. I particularly liked "Only Once", "The Happy Family", "Lifelines," and "Dead Memories...Dead Dreams." Those alone are worth the price of admission.
April 12, 2018
I don't really know what I expected when I started reading this book. My only connection to the author was that I had seen the movie "Losing Ground" which I found quirky and odd. I thought the title of the book was interesting though a bit misleading in terms of actual content and theme. What I didn't expect was a to find a book written for a cerebral black woman. Let me tell you, it's a bit like sighting a unicorn. I was taken aback by its meaningfulness and relevance to me personally. Here are other points of view that don't necessarily revolve around unfaithful/abusive men, a woman who makes tremendous self-sacrifice for a man/her children/her parents, a woman who despite overwhelming odds overcomes insurmountable obstacles but is really just like you and me. Nope. Collins has done something entirely different here. While life is happening around you, what goes on in your head?
One of my reading challenges has a task that is to read something that reminds you of home. For me this could be it. Collins writes about Black women. Women with frailties and faults. Women who are sensual, who love and disdain and forgive. Most of all she writes about women who think. Deeply. That's me!! And wow if that isn't a breath of fresh air.
4+ Stars with a dash of "More like this please"
Read on kindle
One of my reading challenges has a task that is to read something that reminds you of home. For me this could be it. Collins writes about Black women. Women with frailties and faults. Women who are sensual, who love and disdain and forgive. Most of all she writes about women who think. Deeply. That's me!! And wow if that isn't a breath of fresh air.
4+ Stars with a dash of "More like this please"
Read on kindle
February 17, 2018
Ms. Collins skewers race, sex, sexism, dreams, dead or alive, academia, and capturing one's truth permeate this lovely short story collection.
Favorites
The Uncle - Beyond every smile lives pain...5/5
How Does One Say - Short. Sensual. French. 5/5
Whatever Happened to Interracial Love - Various interracial couples find idealism rarely meshes with reality inside the melting pot 5/5
Documentary Style...Misogynoir wrapped in one's desire to succeed as a black man.
The rest of the stories range from 3 to 4 for me and are well worth a linear read. Don't skip or wander. Read the stories as ordered.
Ms. Collins died far too young. But, she left her mark as the first black woman to direct a movie hitting film festivals. What she didn't get to finish left her mark in the literary world.
Favorites
The Uncle - Beyond every smile lives pain...5/5
How Does One Say - Short. Sensual. French. 5/5
Whatever Happened to Interracial Love - Various interracial couples find idealism rarely meshes with reality inside the melting pot 5/5
Documentary Style...Misogynoir wrapped in one's desire to succeed as a black man.
The rest of the stories range from 3 to 4 for me and are well worth a linear read. Don't skip or wander. Read the stories as ordered.
Ms. Collins died far too young. But, she left her mark as the first black woman to direct a movie hitting film festivals. What she didn't get to finish left her mark in the literary world.
March 10, 2017
I am not very good at reading short stories. I personally like reading long stories.
But I really enjoyed these stories.
They show what happens behind closed doors.
They show you need courage to Live
They show you need courage to love
They show you need courage to stand up for what you believe in.
They show no matter what colour we are, We need love, support and acceptance.
I liked the first story 'Interiors' I read it out to my Husband and he said it was poetical.
Just Beautiful.
But I really enjoyed these stories.
They show what happens behind closed doors.
They show you need courage to Live
They show you need courage to love
They show you need courage to stand up for what you believe in.
They show no matter what colour we are, We need love, support and acceptance.
I liked the first story 'Interiors' I read it out to my Husband and he said it was poetical.
Just Beautiful.
April 17, 2022
I'd always meant to read this and the years went by, and finally it came up in Hoopla and I downloaded the audio version, narrated by multiple voices. This comes in handy since several of these stories have multiple points of view, often the male and female in a relationship with both of their perspectives. (I specify male and female since the stories only have heterosexual relationships.)
Kathleen Collins is a strong voice and we are lucky her daughter went through her papers to pull together this collection of stories. (Since I'm reading this 6 years after publication, I also note that there is a book with her diaries and more stories that has come out since - Notes from a Black Woman's Diary: Selected Works of Kathleen Collins.) According to her daughter, who writes the forward to the collection, the stories are highly autobiographical, to the extent that she the daughter recognized the people in the stories.
I liked how these stories are very much about black women and the people in their immediate periphery, with their own lives and cultural queues and internal dialogues between expectations they feel placed on them and what they actually desire. Most are set in the 1960s in fairly urban/city type settings, with characters who are intelligent and not overly religious. I would read more of these stories, I would watch the film adaptation, and I also want to go watch the only film she ever made - Losing Ground.
Kathleen Collins is a strong voice and we are lucky her daughter went through her papers to pull together this collection of stories. (Since I'm reading this 6 years after publication, I also note that there is a book with her diaries and more stories that has come out since - Notes from a Black Woman's Diary: Selected Works of Kathleen Collins.) According to her daughter, who writes the forward to the collection, the stories are highly autobiographical, to the extent that she the daughter recognized the people in the stories.
I liked how these stories are very much about black women and the people in their immediate periphery, with their own lives and cultural queues and internal dialogues between expectations they feel placed on them and what they actually desire. Most are set in the 1960s in fairly urban/city type settings, with characters who are intelligent and not overly religious. I would read more of these stories, I would watch the film adaptation, and I also want to go watch the only film she ever made - Losing Ground.
Read
January 3, 2017THE VIBE OF 1960S – ONE WOMAN’S TIME CAPSULE
BY JUDGE ABBI JACOBSON
At this point in time, I’m finding myself frustrated, concerned, lost and confused at the world around me. It seems like we’re all searching for answers and solutions and trying to find voices that ease our pain and make us feel less alone, even as we take extra care to be open to different points of view.
Whatever Happened to Interracial Love? felt like I dug up a secret time capsule from the 1960s and opened it to find a collection of stories that made me feel. I think that’s what we look for in all content really, stories and pieces of other people’s experiences that make us feel. Sad, sexy, hopeful and honest characters fill Kathleen Collin’s beautiful book. And even though these stories were written decades ago, the issues and frustrations of her characters’ lives mimic where we are right now. Strong, bold, black women fill the pages, reminiscing on an important time in American history, much of which still holds true today.
Every story shifts tone and point of view in a way that keeps you on your toes as a reader—wondering not only what’s next for each character, but what might be in store for you as well. Cinematic, visual, erotic, gentle and poetic are words that come to mind as I swirl around this collection.
I would recommend this book to anyone looking for slivers of hope and beauty and detail. It’s for anyone who’s yearning for something, looking to get lost in other’s journeys to find themselves, immerse themselves in other’s regrets for a moment. I had never heard of Kathleen Collins before diving into her stories, and I later learned that this collection was discovered by her daughter many years after Kathleen’s death. Even so, her smart prose is specific and always changing, like she was constantly experimenting with who she was herself as a writer. I found her style immensely inspiring as a creator and as a woman.
BY JUDGE ABBI JACOBSON
At this point in time, I’m finding myself frustrated, concerned, lost and confused at the world around me. It seems like we’re all searching for answers and solutions and trying to find voices that ease our pain and make us feel less alone, even as we take extra care to be open to different points of view.
Whatever Happened to Interracial Love? felt like I dug up a secret time capsule from the 1960s and opened it to find a collection of stories that made me feel. I think that’s what we look for in all content really, stories and pieces of other people’s experiences that make us feel. Sad, sexy, hopeful and honest characters fill Kathleen Collin’s beautiful book. And even though these stories were written decades ago, the issues and frustrations of her characters’ lives mimic where we are right now. Strong, bold, black women fill the pages, reminiscing on an important time in American history, much of which still holds true today.
Every story shifts tone and point of view in a way that keeps you on your toes as a reader—wondering not only what’s next for each character, but what might be in store for you as well. Cinematic, visual, erotic, gentle and poetic are words that come to mind as I swirl around this collection.
I would recommend this book to anyone looking for slivers of hope and beauty and detail. It’s for anyone who’s yearning for something, looking to get lost in other’s journeys to find themselves, immerse themselves in other’s regrets for a moment. I had never heard of Kathleen Collins before diving into her stories, and I later learned that this collection was discovered by her daughter many years after Kathleen’s death. Even so, her smart prose is specific and always changing, like she was constantly experimenting with who she was herself as a writer. I found her style immensely inspiring as a creator and as a woman.
March 15, 2017
This collection of quiet, thoughtful stories is excellent. They offer an unvarnished picture of life in the 1960s, a time of unrest that straddled the ages. I happened to read the stories while I was also reading John Lewis's March Trilogy, and they are a wonderful complement to each other.
Collins offers the perspective of an African American woman, yet never letting race be the entire story. The stories are also about friendship, love, family, and making your way in a changing world.
I particularly love her descriptive language. For example, she says of one character "His children had grown up inside his sorrow." Or of the times, "It is a time that calls forth the most picturesque of metaphors, for we are swimming along in the mythical underbelly of America . . . there where it is soft and prickly, where you may rub your nose against the grainy sands of illusion and come up bleeding."
I'm so glad this previously hidden work has come to light!
Collins offers the perspective of an African American woman, yet never letting race be the entire story. The stories are also about friendship, love, family, and making your way in a changing world.
I particularly love her descriptive language. For example, she says of one character "His children had grown up inside his sorrow." Or of the times, "It is a time that calls forth the most picturesque of metaphors, for we are swimming along in the mythical underbelly of America . . . there where it is soft and prickly, where you may rub your nose against the grainy sands of illusion and come up bleeding."
I'm so glad this previously hidden work has come to light!
January 18, 2019
Absolute must read
Great commentary on black love, colorism and interracial dating in the 1960s. A solid collection of stories, my favorite being Stepping Back.
Great commentary on black love, colorism and interracial dating in the 1960s. A solid collection of stories, my favorite being Stepping Back.
February 9, 2017
There is a rebellious undertone in Collins’ work threading itself through each story. From the daughter who commits the “unforgivable sin of (“Negro”) girlhood” by cutting her hair and therefore turning herself into “any other Negro,” to the man who takes his own life, to the black middle-class girl from New Jersey agrees to marry her white lover in 1963 as they both naively confront the south and racial segregation, Collins presents unconventional resolutions that are not tidy, but instead a form of rebellion from what each of these characters are expected to be from the outside looking in. Each character is trying to find themselves and it’s a journey that requires the painful task of rejecting the external labels which have been arbitrarily placed on them from white-supremacy ideas of blackness to their own black bourgeois community’s. In these rebellious internal resolutions Collins is calling for a deep introspection of us all. Her work reminds us that we are humans first and our journeys toward seeking higher levels of emotional and intellectual awareness begin with our individual selves first.
Read more at: https://literarylovinlady.wordpress.c...
Read more at: https://literarylovinlady.wordpress.c...
June 4, 2017
I loved it. The stories were written in the 70s and 80s but feel fresh, delicate, light-footed. The stories tell the emotional truth but they tell it slant. Collins' background as a filmmaker is evident; stories are told in monologues and sketches of a director setting up a scene. The stories are cinematic; the emotions are deep but its essence distilled into a character or a moment. It's like a camera utilising time jumps and moving through space, fluidly going back and forth between time, the past existing alongside the present. The past not as a separate world, but very much alive in the present. The stories are short but contain a world of depth about racism and the inner lives of black women. And the humour is sly and delicious.
Full review appears here.
Full review appears here.
March 26, 2017
4.5 - After Mar 25, 2017 reread: My favorite stories:"The Uncle", 'Only Once", Whatever Happened to Interracial Love?", " "Lifelines, "Dead Memories.. Dead Dreams" , and oddly enough, "Documentary Style"
Kathleen Collins has a magnificent ear for dialogue whose humor felt light and natural, even when her intense subject wracks her narrators with pain. For example: Miriam and Ricardo's back and forth in "When Love Withers All of Life Cries". Collins alternates two lovers' memories of their courtship and its demise. Her playwright's ear crafts a conversation that flows easily, until one lover hurts the other with memory. Then, quick, pivot, withdraw. (ex. Ricardo in "voice dry as a bon"e)
Upon rereading I treasured also Kathleen Collin's style of saying without saying, she has the poet's gift of compression. In "Only Once," a brief story about a lover whose taste for risk intoxicates and seduces, until the
My sole complaint is the way Kathleen Collins expresses her Francophilia. She incorporate French language, destination cities, food and cultural flourishes in several of her short stories. Her French objects signify a particular taste and comfort in high-class lifestyle. Never does Collins vary how she represents Afro-Franco sensibilities -- no indigent black migrants from Haiti or Cameroon, don't appear in her stories. Nor do any exquisite, French objects extracted via subjugating African subjects betray their colonial pillaging history . I do wonder if today Collins would revise or complicate this tic, .
Perversely, the character to whom I related up until he commits a violent, unconscionable act is the black cameraman in "Documentary Style". He is the underdog artist who fights doggedly against white authority for ownership and credit over his creative project. He goes so far as to endanger another's creation to preserve his own, which sounds noble in fiction until I read horrified he went that far. . I will recommend this collection to others. Will put Kathleen Collins's film Losing Ground on my watch-list to see later this year.
Kathleen Collins has a magnificent ear for dialogue whose humor felt light and natural, even when her intense subject wracks her narrators with pain. For example: Miriam and Ricardo's back and forth in "When Love Withers All of Life Cries". Collins alternates two lovers' memories of their courtship and its demise. Her playwright's ear crafts a conversation that flows easily, until one lover hurts the other with memory. Then, quick, pivot, withdraw. (ex. Ricardo in "voice dry as a bon"e)
Upon rereading I treasured also Kathleen Collin's style of saying without saying, she has the poet's gift of compression. In "Only Once," a brief story about a lover whose taste for risk intoxicates and seduces, until the
My sole complaint is the way Kathleen Collins expresses her Francophilia. She incorporate French language, destination cities, food and cultural flourishes in several of her short stories. Her French objects signify a particular taste and comfort in high-class lifestyle. Never does Collins vary how she represents Afro-Franco sensibilities -- no indigent black migrants from Haiti or Cameroon, don't appear in her stories. Nor do any exquisite, French objects extracted via subjugating African subjects betray their colonial pillaging history . I do wonder if today Collins would revise or complicate this tic, .
Perversely, the character to whom I related up until he commits a violent, unconscionable act is the black cameraman in "Documentary Style". He is the underdog artist who fights doggedly against white authority for ownership and credit over his creative project. He goes so far as to endanger another's creation to preserve his own, which sounds noble in fiction until I read horrified he went that far. . I will recommend this collection to others. Will put Kathleen Collins's film Losing Ground on my watch-list to see later this year.
February 7, 2017
I had a hard time getting through this, which is a judgement on me as a reader rather than on Kathleen Collins as a writer. Her stories are completely different from anything I've read before, and I particularly loved the title story. But many of the others are short and not immediately digestible; I felt like I had to read each story, pause, and give myself some time before moving on. I found myself getting less out of them as I continued. This will work for someone in the right mindset and mood. It would be the perfect collection to take on some sort of outdoors weekend adventure.
Favorite stories: Exteriors, Whatever Happened to Interracial Love?, Stepping Back
Favorite stories: Exteriors, Whatever Happened to Interracial Love?, Stepping Back
January 22, 2024
I love Kathleen Collins’ mind. It took me a long time to get around-into to these stories, but I’m glad that I did. She brings vibrancy to Black women's sex and love lives in the 1960s, challenging assumptions of monochromatic experiences.
Collins created stories which were filled with reckonings, misgivings, wants and love, sex and curiosity, assumptions and mistakes; much like her wonderful film, a favourite of mine, Losing Ground.
My favourite story was: When Love Withers All Of Life Cries. My fave line was:
I loved this is a specific description of an intense kind of love/lust. Anyway, the book was good!
Collins created stories which were filled with reckonings, misgivings, wants and love, sex and curiosity, assumptions and mistakes; much like her wonderful film, a favourite of mine, Losing Ground.
My favourite story was: When Love Withers All Of Life Cries. My fave line was:
“There were times when we were just driving along in the car and she was telling me some story or other and I would start to sweat, get sopping wet from the tone in her voice. Man, absurd feelings for a life that had juice rang in her voice, my fingers kept slipping from the wheel, everything was serious, nothing was serious, everything was possible, life made complete sense because it made no sense but that was all right, it was enough, the tone of her voice was enough. ”
I loved this is a specific description of an intense kind of love/lust. Anyway, the book was good!
January 26, 2019
I'm embarrassed to admit that I had never heard of Kathleen Collins before reading this book. I looked her up and this is some of what Wikipedia had to say about her (forgive me, all of you who are better informed than I am and already know all this): "Kathleen Collins (March 18, 1942 – September 18, 1988) was an African-American poet, playwright, writer, filmmaker, director, civil rights activist, and educator. Her two feature narratives—The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982)—furthered the range of Black women's films. Although Losing Ground was denied large-scale exhibition, it was among the first films created by a Black woman deliberately designed to tell a story intended for popular consumption, with a feature-length narrative structure.[1] Collins thus paved the way for Julie Dash's Daughters of the Dust (1991) to become the first feature-length narrative film created by a Black woman to be placed in commercial distribution."
Whatever Happened to Interracial Love? is a collection of moving, vivid, intelligent stories about African-American women and men and race in the United States. Her stories are often bitter-sweet, with a great deal of humor overlaying sadness and/or pain. They involve black men gunned down by the police (in a meta-narrative with an ironic narrative voice), children struggling for their place in families and women struggling to find both relationships and artistic forgiveness, to list just a few examples. The title story is an often hilarious look at the civil rights movement in the 1960s as played out with a small group of characters, both white and black, seeking to enact freedom within personal lives and the success (or lack thereof) of their endeavors.
I was particularly moved by the story of a child whose mother died shortly after her birth and her mother's family who struggle with the fact that the child (and her father) are darker skinned than the mother's family. This story, like the others, tackles major societal and racial issues within the small picture of an individual family's lives.
There is not a false step in these stories. They made me sad while I also laughed. They are a major artistic feat. I hope I can see Collins' films as well. She is an important artist whose works deserve a larger audience. Her daughter brought these stories out just a few years ago; I hope there is more work to come.
Whatever Happened to Interracial Love? is a collection of moving, vivid, intelligent stories about African-American women and men and race in the United States. Her stories are often bitter-sweet, with a great deal of humor overlaying sadness and/or pain. They involve black men gunned down by the police (in a meta-narrative with an ironic narrative voice), children struggling for their place in families and women struggling to find both relationships and artistic forgiveness, to list just a few examples. The title story is an often hilarious look at the civil rights movement in the 1960s as played out with a small group of characters, both white and black, seeking to enact freedom within personal lives and the success (or lack thereof) of their endeavors.
I was particularly moved by the story of a child whose mother died shortly after her birth and her mother's family who struggle with the fact that the child (and her father) are darker skinned than the mother's family. This story, like the others, tackles major societal and racial issues within the small picture of an individual family's lives.
There is not a false step in these stories. They made me sad while I also laughed. They are a major artistic feat. I hope I can see Collins' films as well. She is an important artist whose works deserve a larger audience. Her daughter brought these stories out just a few years ago; I hope there is more work to come.
April 21, 2017
Collins' writing is pure poetry.
November 3, 2021
i need to reread this sometime when i am not crunching all 175 pages in the span of a few days for class because every short story in this collection deserves more focus than i'm able to give it rn. that said, my favorite atm are "only once," "when love withers all of life cries," and "broken spirit"
December 19, 2016
Born in 1942, Kathleen Collins was a groundbreaking filmmaker, artist, and writer - part of the generation of African Americans, many of whom who were "the firsts" in their fields. Her 1982 film Losing Ground was the first feature-length dramatic film directed by an African American woman. When she died from cancer in 1988, she left most of her documents and other works to her daughter, Nina. After years of pouring over this massive cache, Nina began working to get many of the pieces either reissued, published, or otherwise sent out into the world. One example of this effort is the short story collection WHATEVER HAPPENED TO INTERRACIAL LOVE.
The collection is composed of 16 stories of varying lengths, from as short as 4 pages to as long as 26 pages. In the story When All Love Withers All of Life Cries, the narrator of the story comments that, "the words are only icing; you keep going past the words you got nothing but surprises" (pg. 98), and this quote accurately sums up my feelings about all of the stories. I found that, no matter the length of the story, I was equally engaged, moved, and satisfied. This is quite a feat, considering that about half of the stories are 10 pages long or less. The way that the author illustrates her characters and her scenes has a lot to do with this, I think. Because of her background in film, she is able to masterfully "show" a scene without "telling" too much. The writing is clear and vivid, but without a trace of any extraneous language. This collection is constructed on an economy of words, but contains a wealth of emotion.
There are many themes in WHATEVER HAPPENED TO INTERRACIAL LOVE, and many of them reappear in multiple stories, but in different ways. Some of the more prominent themes are gender roles (adhering to/denying), racial identity, socioeconomic class, beauty standards, romantic/family relationships (often breaking apart throughout the course of the story), artistic endeavors, friendships, and social justice. I was reminded of John Lewis' graphic memoir trilogy MARCH, because some of the short story characters travel from their homes in the North to help with efforts to register Southern African Americans to vote; those characters often suffering or bearing witness to violence against such efforts.
One of the most groundbreaking points to take away from this collection is the lack of what is known as "white gaze". The narrators of the stories are all African Americans or other non-white characters. The scenes are so crafted that it might not be obvious to the reader at first, but there are no instances of a white character narrating an African American experience. Even in our modern literary culture, it's difficult to find examples of works that don't contain some degree of white gaze. For this concept to be considered groundbreaking is important, but also concerning, because it indicates a tradition of African Americans not being in charge of their own stories.
Containing a range of settings, characters, stories, lengths, and themes - I found WHATEVER HAPPENED TO INTERRACIAL LOVE to be a completely satisfying reading experience. I was wholly engaged throughout each and every story, which is a difficult feat in and of itself. Considering the stories were written decades ago, many of the themes are just as relevant in today's society as they were at the time of their inception. Overall, I was thoroughly impressed with WHATEVER HAPPENED TO INTERRACIAL LOVE, and hope that the author's daughter Nina is able to have other stories published. I will read whatever else she has written.
The collection is composed of 16 stories of varying lengths, from as short as 4 pages to as long as 26 pages. In the story When All Love Withers All of Life Cries, the narrator of the story comments that, "the words are only icing; you keep going past the words you got nothing but surprises" (pg. 98), and this quote accurately sums up my feelings about all of the stories. I found that, no matter the length of the story, I was equally engaged, moved, and satisfied. This is quite a feat, considering that about half of the stories are 10 pages long or less. The way that the author illustrates her characters and her scenes has a lot to do with this, I think. Because of her background in film, she is able to masterfully "show" a scene without "telling" too much. The writing is clear and vivid, but without a trace of any extraneous language. This collection is constructed on an economy of words, but contains a wealth of emotion.
There are many themes in WHATEVER HAPPENED TO INTERRACIAL LOVE, and many of them reappear in multiple stories, but in different ways. Some of the more prominent themes are gender roles (adhering to/denying), racial identity, socioeconomic class, beauty standards, romantic/family relationships (often breaking apart throughout the course of the story), artistic endeavors, friendships, and social justice. I was reminded of John Lewis' graphic memoir trilogy MARCH, because some of the short story characters travel from their homes in the North to help with efforts to register Southern African Americans to vote; those characters often suffering or bearing witness to violence against such efforts.
One of the most groundbreaking points to take away from this collection is the lack of what is known as "white gaze". The narrators of the stories are all African Americans or other non-white characters. The scenes are so crafted that it might not be obvious to the reader at first, but there are no instances of a white character narrating an African American experience. Even in our modern literary culture, it's difficult to find examples of works that don't contain some degree of white gaze. For this concept to be considered groundbreaking is important, but also concerning, because it indicates a tradition of African Americans not being in charge of their own stories.
Containing a range of settings, characters, stories, lengths, and themes - I found WHATEVER HAPPENED TO INTERRACIAL LOVE to be a completely satisfying reading experience. I was wholly engaged throughout each and every story, which is a difficult feat in and of itself. Considering the stories were written decades ago, many of the themes are just as relevant in today's society as they were at the time of their inception. Overall, I was thoroughly impressed with WHATEVER HAPPENED TO INTERRACIAL LOVE, and hope that the author's daughter Nina is able to have other stories published. I will read whatever else she has written.
December 23, 2018
“That day it was clear I should be off in Brazil climbing mountains, surf till a wave snaps my neck, rollerskate down some endless highway, keep fighting with my body, that’s the only time I see clear...everything else makes me sullen…”
.
This fiery collection of short stories written in the 70s never saw the light of day until decades after Kathleen Collins’ death (such a terrible shame). Collins died at age 46; she was a, playwright, civil rights activist, a pioneer in black female filmmaking, and much more. (Look her up). Ever finished a book and want to flip back to the first page and read again? My one regret is that I’ll never be able to recreate this surprising reading experience again.
.
Despite what the collection’s title would imply, this is not only about the exploration of interracial relationships. However, there are many deep observations delving into romantic relationships, how we can lose our way trying to be “something” for someone else or commit devastating acts in order to be that “perfect” mate for our partner. The most compelling element of this book is Collins’ writing craft. She has such an expressive and avant-garde manner of expressing ideas and moods. She occasionally uses interesting stylistic choices in manners of documentary, screenplay, and stream of consciousness style. Her writing feels very modern, postmodern even.
.
If you read the first couple of stories and you don’t gel with it, keep going: it’ll suddenly hit you in the jugular, and you’ll get on board with her style, and feel every ounce of pain and loss, every morsel of joy, every exhilarating moment of passion. Some stories stole my breath, only for a minute, because I needed to move onto the next story. I’ll leave you with this: “Sometimes I felt like we made love inside of a vacuum that must have been his loneliness. Sometimes I felt we were inside his cool, graceful humor. Only once did I feel we broke all the way through.”
.
This fiery collection of short stories written in the 70s never saw the light of day until decades after Kathleen Collins’ death (such a terrible shame). Collins died at age 46; she was a, playwright, civil rights activist, a pioneer in black female filmmaking, and much more. (Look her up). Ever finished a book and want to flip back to the first page and read again? My one regret is that I’ll never be able to recreate this surprising reading experience again.
.
Despite what the collection’s title would imply, this is not only about the exploration of interracial relationships. However, there are many deep observations delving into romantic relationships, how we can lose our way trying to be “something” for someone else or commit devastating acts in order to be that “perfect” mate for our partner. The most compelling element of this book is Collins’ writing craft. She has such an expressive and avant-garde manner of expressing ideas and moods. She occasionally uses interesting stylistic choices in manners of documentary, screenplay, and stream of consciousness style. Her writing feels very modern, postmodern even.
.
If you read the first couple of stories and you don’t gel with it, keep going: it’ll suddenly hit you in the jugular, and you’ll get on board with her style, and feel every ounce of pain and loss, every morsel of joy, every exhilarating moment of passion. Some stories stole my breath, only for a minute, because I needed to move onto the next story. I’ll leave you with this: “Sometimes I felt like we made love inside of a vacuum that must have been his loneliness. Sometimes I felt we were inside his cool, graceful humor. Only once did I feel we broke all the way through.”
February 21, 2017
I've never heard of Ms. Collins before and after reading this collection of short stories, l really mourn her death. These stories are a wonderful window into to the life of black intellectual women during the civil rights movement. Not tales of poverty and crime, but stories of educated women expected to succeed in a white world that is not expecting them. Issues of colorism, class, and social climbing and loss. Her writing style is clear and captivating. The story lines still seem current and fresh. So sad that there will not be more but happy that her daughter decided to share these wonderful stories with the world. Check out the link below for more about Ms. Collins and how these lost stories came to light.
https://www.nytimes.com/2016/12/08/bo...
https://www.nytimes.com/2016/12/08/bo...
October 19, 2019
Pretty good collection of short stories. I think the stories in the first half of the book are better than those toward the end. The earlier stories felt stronger and held my attention better than the later stories.
The title story "Whatever Happened To Interracial Love?" is a favorite, but I think "Interiors" is the best from this group.
I appreciate the author's strong voice and I love her use of race and womanhood as themes.
The title story "Whatever Happened To Interracial Love?" is a favorite, but I think "Interiors" is the best from this group.
I appreciate the author's strong voice and I love her use of race and womanhood as themes.
January 5, 2017
First book of 2017.
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TFW Abbi Jacobson is the guest judge for Book of the Month Club:
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TFW Abbi Jacobson is the guest judge for Book of the Month Club:
November 29, 2017
Wasn't a fan of the writing style. Nothing really pulled me in and grabbed my attention. It was very short so I just struggled through to finish it.
January 8, 2019
My God, what a wonderful set of short stories.
Kathleen's beautiful language had me reading the same lines/passages/stories/words over and over again. She made me think of my own life more poetically. My vocabulary has improved for the better, but she also made me think.
The title story was intense and hard for me to decipher. I had to Google an explanation and even then, people really couldn't put it into simpler terms. I think that's the beauty of Kathleen's work. It's ambiguous yet straightforward. There's space to put your own thoughts in between the lines.
This book is full of tragedy, Blackness, womanhood, sexuality and joy. The first story literally made me gasp aloud, and it was only 3 pages long.
If you like a quick read (but please, take your time with this one. Absorb her messages, her prose) then read this! I cannot emphasize it enough.
Kathleen's beautiful language had me reading the same lines/passages/stories/words over and over again. She made me think of my own life more poetically. My vocabulary has improved for the better, but she also made me think.
The title story was intense and hard for me to decipher. I had to Google an explanation and even then, people really couldn't put it into simpler terms. I think that's the beauty of Kathleen's work. It's ambiguous yet straightforward. There's space to put your own thoughts in between the lines.
This book is full of tragedy, Blackness, womanhood, sexuality and joy. The first story literally made me gasp aloud, and it was only 3 pages long.
If you like a quick read (but please, take your time with this one. Absorb her messages, her prose) then read this! I cannot emphasize it enough.
November 16, 2023
This is an exquisite short story collection - sensual, honest, and very unique in so many ways.
These stories were centered around the lives of African Americans in the 1960s. It is an intimate exploration of race, gender, relationships - both familial and romantic, in a very rare context as part of the upper middle class, intellectual with a great amount of access.
There were a few stories that were misses for me but the hits were outstanding. The title story was absolutely incredible with so much nuance and complexity of emotions. I have read it about ten times and I glimpse something new every time. I loved the snapshot of the creative class given in ‘Of Poets, Galleries, New York Passages’. I can’t stop thinking about the characters in ‘The Happy Family'. The structure of ‘Lifelines’ and 'When Love Withers All of Life Cries' made the characters so real and so tangible. ‘Dead Memories .. Dead Dreams’ was the perfect closing story, as the story progressed you were drawn more into the world of the different family members.
This collection is timeless yet so relevant. It is definitely worth the read and also the listen via audiobook
These stories were centered around the lives of African Americans in the 1960s. It is an intimate exploration of race, gender, relationships - both familial and romantic, in a very rare context as part of the upper middle class, intellectual with a great amount of access.
There were a few stories that were misses for me but the hits were outstanding. The title story was absolutely incredible with so much nuance and complexity of emotions. I have read it about ten times and I glimpse something new every time. I loved the snapshot of the creative class given in ‘Of Poets, Galleries, New York Passages’. I can’t stop thinking about the characters in ‘The Happy Family'. The structure of ‘Lifelines’ and 'When Love Withers All of Life Cries' made the characters so real and so tangible. ‘Dead Memories .. Dead Dreams’ was the perfect closing story, as the story progressed you were drawn more into the world of the different family members.
This collection is timeless yet so relevant. It is definitely worth the read and also the listen via audiobook
Read
August 19, 2022A really great collection of well-written short stories about race. It's a slim book, but still very powerful.
October 30, 2018
2.75/5stars
February 14, 2021
Needed a break after finishing Jazz. Then jumped into this book and loved every moment. Probably one of my favorite short story collections. Highly recommend reading it. Kathleen Collins is brilliant.
May 12, 2021
This was an interesting collection of stories, of which a few felt more like story snippets or ideas-in-progress.
Also, though a few took place during the civil rights period, they weren't concerned primarily with activism. The stories were smart, sometimes humourous, other times a little upsetting. My favourites were:
-Whatever happened to Interracial Love?
-The Happy Family
-When Love Withers All of Life Cries
-Documentary Style
-Lifelines
Also, though a few took place during the civil rights period, they weren't concerned primarily with activism. The stories were smart, sometimes humourous, other times a little upsetting. My favourites were:
-Whatever happened to Interracial Love?
-The Happy Family
-When Love Withers All of Life Cries
-Documentary Style
-Lifelines
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