Sunday 16 February 2014

The Beyoncé Conversation: Feminism, Black Women and The Presumption Of Sexual Agency

It's been a while since I've posted a substantial essay, but I wanted to stop in and talk about an issue that's very important to me as a black, sex-positive feminist. That is, sex, obviously; specifically the sex that black women are or are not having, and how the conversation about their sexual agency keeps getting derailed.

As I've written about several times now, (herehere and relatedly here) conversations about sex and sexuality become very different when you are talking about a black body. This is because of the historical context of the negative sexual stereotypes that were applied to those bodies in order to dehumanize, subjugate and ridicule them, and elevate white (female) sexuality in the process. Black men were uncontrollable, brute savages who would rape a white woman as soon as look at her, and black women were lascivious whores, always searching for a dick, unrapeable by their very existence.

The loaded racist history of these still prevalent tropes leaves black women especially, in a misogynoirist double bind. Either we deny our sexuality entirely in order to be considered respectable and worthy (not so coincidentally placing ourselves firmly into Mammy territory), or embrace our sexuality, as all women should have the right to do, and be seen as a confirmation of negative black sexual stereotypes.

In effect, our choices as sexual beings are wrapped up in a lose-lose catch-22 that denies our agency from the outset, and punishes us for trying to exercise it. All the while, black women's bodies continue to be used to ridicule our very existence and deify white female sexuality.

So what does this have to do with Beyoncé? Everything.



It's been a whirlwind year for Mrs. Carter; from her Superbowl performance, to her worldwide tour, to her surprise album, to her performance at the Grammys. And in all of that, there's been a constant refrain that her feminism somehow needs policing because of her refusal to shy away from sexual imagery, especially in light of the highly sexual content of her new album. The prevailing sentiment seems to be that her sex is "commercial" sex; designed only to titillate and arouse. Her sex is performative. Her sex is solely for the benefit of an adoring, and presumably paying, audience.

I call bullshit:



For very racist whatever reasons, people, many of them claiming to be feminist, are really, really uncomfortable with the idea that a beautiful, successful, powerful black woman might WANT to be sexual. From the predictable reactions to Beyoncé at the Superbowl, to the reactions to Beyoncé's GQ photoshoot, to the reactions to Beyoncé's album, to the reaction to Beyoncé's performance at the Grammys, it became clear that the problem wasn't Beyoncé, but rather Beyoncé being sexy.

As she talks about in Part 5 of her documentary embedded above, Beyoncé spent a lot her career "playing it safe" sexually, because she felt a responsibility to keep things clean for her fans. In the process, she felt like she was never able to fully express every side of her personality; including the part that likes to get freaky with her boo-thang in the back of a limo.

So here we have Beyoncé, a hyper-visible, successful, billionaire black woman and entertainer, one half of one of the top-earning couples in the world, explicitly detailing how she came to the decision to "let her freak flag fly" for this album. Here Beyoncé tells us specifically her motivations for moving in a more sexually explicit direction. Here she explains how she has always felt obligated to leave that part of herself on the cutting room floor.

And then we have people insisting that Beyoncé's sexuality is nothing more than an over-played ploy to capture male attention.

What upsets me most about shallow critiques like this is that these "accusations" for want of a better word, always operate under the assumption that black women do not have any sexual agency, or that any show of sexuality is a confirmation of racist stereotypes. There is never any room left in the conversation for the possibility that the motivation behind a display of sexuality comes from within. It presumes that all female sexuality is in pursuit of the male gaze. This idea is the single biggest problem that I have with Rashida Jones' assertion that pop stars need to "stop being whores." Her limited worldview doesn't allow for the women who choose to be overtly sexual because it is the way they are most comfortable expressing that side of themselves. The issue becomes "you're not being sexual the right way; the modest, decent, lady-like way." But that's bullshit. There is no "right" way to be sexual, and a woman, (even a black one!) has a right to be sexual in any way that she so chooses.

What Beyoncé learned in her journey to (black) feminism is what she consequently taught all the black women who jammed out to Partition in the days after her album's release: to be carefree, to be sexual, to eschew stereotype threat for personal choice is to live radically. As @jaythenerdkid says in a series of tweets storyfied here:
"For a black woman to be immodest by CHOICE and not coercion is thus a radical act, because it re-empowers and re-centers her desires. [...] It is radical to exist sexually while black."
In certain feminist circles, there is this idea that sexuality and feminism don't mix if you're not white. White women are given a presumption of sexual agency that isn't afforded to their black counterparts. A cursory glance at the media treatment of stars like Miley Cyrus and Lily Allen versus Rihanna and Nicki Minaj proves this. Just look at one publication's treatment of Miley Cyrus and Nicki Minaj, and their individual choices to wear revealing clothing.


White female celebrity's expressions of sexuality are often seen as empowering and feminist, whilst black female celebrity's expressions of sexuality are deemed offensive, lewd, inauthentic, and stemming from the powerful hand of someone higher up the food chain. The word "puppet" tends to get thrown quite a bit.

Even Oprah Winfrey, self-made billionaire, builder of an entire media empire and all-round Queen of the World, can be reduced to her naked body at the whim of a white consuming public. After everything she has accomplished in her career, Oprah, with all her achievements, is nothing more than fodder for one racist designer's publicity stunt as a fat, black woman on a dress.


But the thing is, white ladies have so many sexually liberating role models in mass media. We as black women, have a right to our own too, especially because we need them so much more. The truth is that the way the media interacts with Beyoncé is just an easily identifiable case study that spotlights the way we interface with black women's sexuality on a larger scale.

Still not convinced? I challenge you to ask yourself this question: What does sexual agency in the public eye look like? Which pop stars are being sexual on a world stage because they want to be, and not because they're being forced to in order to sell records? If all the examples you come up with are white, you've proved my point.

As I say in my essay on Sexual Exploitation and Black Female Celebrities, where I focus on Rihanna and Nicki Minaj's respective "stripper anthems" and explain why I find them each to be quite feminist and empowering:
"That conversation is about the distinction between the exploitation of black women's sexuality for the (white) male consumerist gaze, and a black female celebrity's reclamation of her own sexuality on her own terms. For whatever reason, there seems to be some difficulty in grasping the concept that the most significant difference between these two scenarios is agency, and the way in which the presence or lack of agency determines how a display of sexuality is to be perceived and received."
"[...] To say that a black woman being sexual or expressing sexuality in public is automatically equal to "exploiting themselves" is to deny them agency. White women claiming their sexuality has always come to be seen as and accepted as revolutionary (see: Lady Gaga, Madonna). People (and white feminists) hail that act as progressive. But for a black woman (and all WoC) to do the same, it is treated as dirty and crass. There is a very distinct racialized reaction to the two scenarios."
We are never going to be able to move past this conversation until we acknowledge that black women have every right to feel and be sexual. They have every right to be seen as human first, and sexual second, instead of the other way around. Most importantly, black women deserve to be seen as sexual on an individual basis, and not have to combat the racist sexual stereotypes forced upon her foremothers.

So what's the difference between owning our sexuality and letting others exploit it? Agency. The difference is freedom from negative consequence or pushback regardless of how one chooses to express that sexuality. The difference is choice. The difference is personal motivation. The difference is the ability to control the boundaries about how your expressions of sexuality are packaged, presented and consumed.

I'd say Yoncé fits the bill.


17 comments:

  1. Amen! Preach sister. You managed to say everything I've been wanting to say about Beyonce, the way she's been talked about ever since her last album came out and black women's bodies in general. Not long ago, a white male friend of mine, upon hearing me play Partition, remarked that "wow, Beyonce is so sexualized." I quickly proceeded to tell him that no, Beyonce is not sexualized. She chooses to be sexual. Of course he didn't get the difference. I was so frustrated trying to teach him the difference between the two. Ugh! The fact that us black women are continually denied agency saddens me greatly. Thank you. This essay is giving me life. It's nice knowing there's someone out there who gets it.

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  2. Batty,

    Newsflash honeybuns. Feminism was started by rich jewish women to destroy the goys.

    http://a.disquscdn.com/uploads/mediaembed/images/757/4274/original.jpg

    If you are not aware, they own our banking and entertainment, so perhaps you would like to start paying attention.

    http://www.returnofkings.com/15918/why-solidarity-really-is-for-white-women

    One result has been the destruction of the black community. The 50% single mom rate is MSM bullshit. The data is really like 70% black single moms and 15% other races.

    http://www.returnofkings.com/7504/how-black-america-was-created

    I'm a huge fan of Athlone's writiing. His analysis is usually spot on. Welcome to the redpill. I would be very interested in hearing your thoughts on these. Slut culture FTWLOL!!!!!!

    Cheers, Batou

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  3. Love this. Couldn't agree more. Would love your thoughts on the "Anna Mae" reference in "Drunk in Love" if you have any you feel like sharing. That's the bit of the album I struggle with, not the expressions of sexuality, which, to to my mind, are EXACTLY about agency and pleasure.

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  4. Thanks so much for posting your thought! I love Beyonce and have often heard these critiques of her from people around me. Thanks for giving me the words to express the feelings i had regarding her. I'm white so i just saw her like i would any other sex-positive celebrity. But i didnt understand fully the nuaces that black women face regarding their sexual expression. THANK YOU.

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  5. Thanks so much for posting this. spot on. gives me the words to express how i feel about Beyonce. I love her so much, she might be the best celebrity ever.

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  6. Realistically, how many people seriously think of Miley Cyrus as a great feminist role model? Certainly not as many as the number who consider Beyoncé to be one. I've seen you link to that HuffPo piece on Miley several times, maybe because there are simply not that many similar pieces out there, compared to the hundreds on Beyoncé's feminism?

    Is there unfair criticism of Beyoncé out there that centers on her sexuality? Absolutely (some of it, incidentally, from black women). But overall, the consensus to her latest album from the mainstream feminist community has been largely positive, at least from what I've seen. She's been praised everywhere from Jezebel to Feministing to Rookie to Feministe to Ms. Magazine (which put her on their cover back in spring, before this new album was even released). Acting like it's been only black feminists praising Beyoncé while the majority of white feminists hate her and meanwhile won't shut up about Miley Cyrus being a feminist icon is disingenuous and frankly untrue.

    I would add that, from where I'm sitting, Miley gets more criticism (most of it deserved, mind you) than Rihanna and Beyoncé put together, but...I have a feeling you'd strongly disagree.

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  7. Realistically? Probably a few million. Especially young women who have always been afraid of the word feminism and think Miley is making it "cool" to identify as feminist. I link that HuffPo piece several times because it is the epitome of absurdity and demonstrates my point. Beyoncé's album being well received doesn't erase the entire year of concern trolling that went on within the feminist movement: the call outs of her costumes, the calling her a whore, the denying her the label feminist in the first place. Liking music that is objectively good, doesn't absolve them of their racism.

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  8. I don't like it, but I also think it is largely irrelevant in the larger context of the album. I know exactly what Jay Z was trying to invoke with that line, but I think it was poorly executed. It doesn't however somehow dull Beyoncé's feminist shine.

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  9. I appreciate this post because I am FUCKING OBSESSED with Beyonce, but apparently we're reading different media. I read just as many posts decrying Miley Cyrus's alleged lack of agency, so far as to claim that she's an Illuminati and/or Disney mind-controlled sex slave. On that point you've lost me.

    When a number of white pop-stars/actresses have lost control of their own finances due to "insanity"/lack of mental competence (see: Britney, Amanda Bynes, etc) I call sexism. This whole issue is mostly sexism. Race enters into it, sure, but the slice of pie you're eating is a lot bigger than the one on my plate.

    Afterall: Donald Sterling isn't sitting in a padded cell. He's getting publicly lambasted, sure, but he doesn't have a conservator claiming he suffers from dementia, or drug abuse, or bi-polar disorder. He's an individual, and he's free. Women at large are not afforded that degree of respect; our humanity is socially denied. I want white women and black women to be able to fight this issue together without turning on one another.

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  10. This is an awesome article, and the more people who see this, the better. Every woman should be able to express herself and her sexuality however she damn wishes and it's certainly no one else's business. BUT what I struggle with is constantly seeing this one, very limited portrayal of sexuality in the media, which has the effect of stifling how we as a society understand eroticism--this beautifully plural idea/sensation/experience that, for me, is central to my transcendence as a very ***flawed human. Don't get me wrong--Beyonce's visual album was undeniably an incredibly complex, beautiful, and unique story. But part of me thinks that if all these other artists felt truly sexually liberated, it wouldn't all look the same. Big ups to Queen Bey for doing her--there's no doubt about that. But I expect more from the other female artists out there--otherwise it does come off as inauthentic and shock-value driven. Is that too much to ask? (I'm sincerely asking) Thoughts?

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  11. wonderfully written and thought provoking as always.

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  12. http://pbs.twimg.com/media/BiKBpukCAAAWCMF.png:large

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  13. Interesting. I'm curious as to how the people who criticize Beyoncé feel about Janet Jackson. I'd dare say most would consider Janet the more liberated of the two. I think the beef with Beyoncé is not so much her actions, but the fraud she perpetrates as an independent woman. Seriously, she went from her father's control to that of her husband. She doesn't seem sexually free as much as she seems exploited. She can't write one of her three word songs without a team of several people, yet we should believe she penned an erudite letter regarding sexual inequality? What, did someone whisper in her ear that women don't get paid as much as men? Seriously, the girl is rumored to have stopped school long before it was legal or acceptable. She's lived a very sheltered life. Why is it so hard to fathom that some people just don't buy her schtick because of HER, and not her race or sex.

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  14. You can't possibly know that for sure about her. I've seen how women who manage themselves act and I've seen how women who are managed by men act.........of all races. Beyoncé went from the control of her father to that of her husband. She has never been single in her adult life. I'd dare say she's in an arranged marriage. In Partition, Beyoncé is on her knees servicing a man. If she's liberated, why isn't her husband on his knees servicing her? I mean, it's art and art is an expression of the artist, right? Why wouldn't she choose to express her control in that song? Of course, it's her license to create what she wants, but don't expect people to believe what she says when she shows otherwise. So much about her just doesn't add up.



    And no, I am not a denier of racism. It's clearly alive and well in this country. And I'm also well aware of the how little my words will mean coming from a gay white male. I just honestly feel that she is a bad role model. I think she's fake. There is so much better out there and the music industry serves us Beyoncé, (her sister, for one. Kelly Rowland, another)

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  15. This is a joke right? "Why isn't her husband servicing her?" Really?! You do know that sex is (or should be) reciprocal right? Not to mention, THE ENTIRETY OF THE SONG BLOW IS ABOUT GETTING HER PUSSY LICKED.


    I'm glad you recognize that your opinion is effectively irrelevant though. Baby steps I suppose. Because let's be real: were you even looking up to her to begin with?

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  16. Sigh. Something tells me you don't actually LISTEN to Janelle's music...

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  17. I think the answer to the last question is quite obvious. I've never seen her as anything more than a fraud with a well trained but somehow still terrible voice. I'll capitulate on her lyrical sex scene. We all know that good sex = liberation. I stand fully behind the rest of my comments. Whether you think they are irrelevant doesn't necessarily invalidate them.

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