The Web in Motion: animation's impact on UI and web design

May 23, 20162 likes2,159 views

My keynote from Front Trends 2016 in Warsaw was all about where web animation has come from, where it's going, and why it's so important to the future of UI and web design.

The Web in Motion: animation's impact on UI and web design

The Past, Present, and Future of Web Anima6on
• How anima5on helps our users
• Where has web anima5on been
• And how this impacts how we build the web

!me
loca!on
Animation is a
visual representation of a
rate of change over time.

We can use anima6on to indicate an element’s…
Direction Solidity Momentum

Relationships Structure Cause & Effect
These combine to reinforce…

Jump Cut
From ﬁlm, when the camera cuts directly to
a diﬀerent perspec7ve.

In-betweening
From anima7on, extrapola7ng between
two key frames.

ScottE.HudsonandJohnT.Stasko
(1993)
“By oﬄoading interpreta6on of changes to
the perceptual system, anima6on allows the
user to con6nue thinking about the task
domain, with no need to shiC contexts to the
interface domain. By elimina6ng sudden
visual changes, anima6on lessens the chance
that the user is surprised.”

Animacy
How “alive” something appears to be.

It’sAlive!AnimateMotionCaptures
Attention(2010)
“(T)hese speeded responses appeared to be
due to the perceived animacy of the objects…
We conclude that animate mo6on does
indeed capture visual aKen6on.”

If you want someone to
notice something, make it
bright and jiggly.

cracked.com/article_15239_the-5-most-
annoying-banner-ads-internet_p5.html

When everything vies for
our attention, nothing
commands our attention.

Birth of CSS Animations and Transitions, 2009
CSS
Transi6ons
CSS
Anima6ons

CSS
Transi6ons
CSS
Anima6ons
SMIL
Seriously?
Internet Explorer’s Reaction

One API to Rule Them All
CSS
Transi6ons
CSS
Anima6ons
SMIL
?

?
Web
Anima6ons
API
CSS
Transi6ons
CSS
Anima6ons
SMIL

CSS
Transi6ons
CSS
Anima6ons
SMIL
?
Web
Anima6ons
API
la mort de SMIL, 2015

Support for the Web Animations API
Let’s do this.
Well, if you’re
serious.

github.com/web-animations/web-animations-js

Sites using CSS anima6ons and transi6ons
• animation 37.2037%
• webkit-animation 39.8729%
• transition 51.0801%
• webkit-transition 45.6491%
• justify-content 40.0321%
• text-transform 51.9612%
chromestatus.com/metrics/css/popularity

StoryboardforFerdinandtheBulltakenatthe
DisneyFamilyHomeMuseum

Internal use storyboard for
DevToolsChallenger.com

“An animation is worth a
thousand meetings.”

SpaceUnicornanimaRcusedwithpermission
ofBrianneDrouhardaka@potatofarmgirl

Animation belongs to all of us now.
Let us set the web in motion together.
WebAnimationWeekly.com
slack.AnimationAtWork.com
@RachelNabors
.com

Since the widespread adoption of CSS animations and transitions, animation has started creeping back into web design. Loading screens and “flashy” intros are back, as well as subtle UI interactions that invisibly improve the user’s experience. Rachel Nabors explains the six components of motion design, how you can apply them in your own projects, and when to start planning animation in your process.

State of the AnimationRachel Nabors

The post-Flash era is hardly free of animation. CSS animation is quickly becoming a cornerstone of user-friendly UI frameworks, and JavaScript libraries already exist to handle complex, interactive animations. And now there’s a new API coming to town specifically for web animations! In the wake of so much “CSS vs. JavaScript animation” infighting, you'll be introduced to the Web Animations API via the development styles and insights of four distinct groups of people: UI designers, interaction developers, library authors, and the browser teams implementing it.

A Brief Introduction to Animation, UI and the Visual CortexRachel Nabors

This document discusses animation and its application to user interfaces. It defines animation as the visual representation of rate of change over time. When applied to UIs, animation can help users by lessening visual changes and allowing them to continue focusing on their task rather than shifting focus to the interface. The document provides examples of how animation can indicate direction, state changes, supplemental feedback, and decorative elements in a UI to improve the user experience.

Web NextGabriel Hamilton

The document discusses potential future directions for web pages, including making them more spatial and three-dimensional. It presents examples of how web pages could be immersive environments for browsing, shopping, editing, gaming, collaboration and education. Key applications mentioned include using virtual and augmented reality to make pages feel more like 3D spaces where users can navigate and interact visually, auditorily and kinetically. The document suggests these types of "spatial websites" could be built using technologies like WebGL, WebAssembly, Unity and WebXR.

Hypertext, multimedia and wwwPhD Research Scholar

The document discusses hypertext, multimedia, and the World Wide Web. It covers understanding hypertext and how it differs from linear text by allowing non-sequential navigation through links. It also covers finding information on the web through navigation structures, bookmarks, and search engines. Finally, it discusses web technologies including protocols, servers, browsers, and issues around bandwidth and latency.

Putting Your UIs In Motion On The Web (Animation & UX)Val Head

Multimedia chapter 5PrathimaBaliga

This document discusses animation techniques and principles. It begins by outlining the structure of animation and principles like persistence of vision. It then discusses different types of animation including 2D, 2.5D, and 3D animation. The document details the process of cel animation including keyframes and tweening. It also discusses computer animation software, file formats for animation, and considerations for using animation effectively.

Introduction to Computer Animation using Computer Graphics TechniquesRamesh Wadawadagi

AnimationVasu Mathi

Computer animation involves creating animation sequences through object definition, path specification, key frames, and in-betweening. There are two main methods for displaying animation sequences: raster animation and color-table animation. Raster animation involves copying frames from memory to the display very quickly, while color-table animation uses a color lookup table to convert logical color numbers in each pixel to physical colors. The document discusses techniques for designing animation sequences like storyboarding, defining objects and paths, specifying key frames, and generating in-between frames. It also covers topics like motion specification using direct motion, goal-directed systems, kinematics, dynamics, and inverse kinematics. Morphing and tweening are introduced as techniques for warping one image into

AnimationVasu Mathi

The document discusses computer animation techniques such as raster animation, color-table animation, tweening, and morphing. Raster animation involves copying frames from memory to the display very quickly to create the illusion of motion. Color-table animation uses a color lookup table to implement simple 2D animations. Tweening generates intermediate frames between key frames to make the movement between them appear smooth. Morphing transforms one image into another through a seamless transition by gradually warping and dissolving areas between matched images.

Gauthier_digitaldesign_portfoliosJean-Marc Gauthier

The document provides information on several digital design projects created by Jean-Marc Gauthier, including interactive virtual reality installations and visualizations. Some of the projects discussed include The Brain Project, an interactive visualization of the brain; BeCity, illustrations for a children's book, app, and animations; and Crosswalk, a virtual reality simulator of street intersections. The document also discusses Jean-Marc Gauthier's work in character design, motion capture, 3D mapping, and interactive installations.

Presentation1Faye Mclellan

This document discusses motion capture techniques for animating 3D characters. It begins by explaining that motion capture involves recording live movements and translating them into digital data to recreate performances in 3D. It then discusses the history of rotoscoping techniques and the motion capture pipeline involving planning, shooting, data processing, and mapping movements to characters. The document provides examples of motion capture usage in feature films and discusses techniques for retargeting motions between characters and using state machines and scripting to sequence movements. It concludes by noting the increasing use of artificial intelligence to control large numbers of animated characters.

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IntroDr. Srinivas Telukunta

This document provides information about a computer vision course including the instructors, TAs, readings, topics, and projects. The course will introduce computer vision topics through lectures and assignments including image processing, panorama stitching, face recognition, and an open-ended final project. Grading will be based on completing the projects, with no midterm or final exam. Prerequisites include proficiency in C/C++ programming, data structures, linear algebra, and vector calculus. The course does not require prior experience in imaging topics.

Web Animationsbsuresh2

This document discusses different approaches to animations on the web, including declarative and imperative animations. It introduces common principles of animation like squash and stretch. It also highlights challenges of browser repaints and techniques to improve performance like using requestAnimationFrame. The document provides examples of animation libraries and recommends tools to inspect repaints and optimize animations.

Deep Learning for Structure-from-Motion (SfM)PetteriTeikariPhD

Deconstructing SfM-Net architecture and beyond "SfM-Net, a geometry-aware neural network for motion estimation in videos that decomposes frame-to-frame pixel motion in terms of scene and object depth, camera motion and 3D object rotations and translations. Given a sequence of frames, SfM-Net predicts depth, segmentation, camera and rigid object motions, converts those into a dense frame-to-frame motion field (optical flow), differentiably warps frames in time to match pixels and back-propagates." Alternative download: https://www.dropbox.com/s/aezl7ro8sy2xq7j/sfm_net_v2.pdf?dl=0

Waymo EssaySasha Jones

Waymo, an autonomous vehicle division of Alphabet, has launched a program allowing residents of Phoenix, Arizona to register for free rides in self-driving minivans. Riders will be selected based on trip needs and willingness to use the vehicle as their primary transportation. An employee will ride behind the driver's seat, as the minivans are fully autonomous with sensors that can detect objects from 300 meters away in 3D. Waymo has also partnered with companies like Chrysler and Lyft to advance autonomous vehicle technology.

AnimationVasu Mathi

Computer animation involves creating animation sequences through object definition, path specification, and key frames. Key techniques include: 1. Raster animation displays pre-computed or real-time animation frames by rapidly presenting them on screen at 30 frames per second or more for a smooth effect. 2. Color-table animation uses a color lookup table to implement simple 2D animations through palette color changes. 3. Tweening and morphing generate intermediate frames between key frames to give the appearance of smooth motion or transition from one image to another. Morphing additionally requires matching areas between images.

Motion graphics TerminologyJoe Nasr

The document defines various motion graphics and animation terminology used in programs like After Effects. It provides descriptions of terms related to 2D/3D space, layers, effects, keyframing, camera movements, compositing, and other animation and video editing concepts. Terms covered include things like adjustment layers, alpha channels, parenting, expressions, motion blur, precomposing, and trimming. The document acts as a glossary to explain technical terms for those working in motion graphics.

Unit viswapnasalil

1. Animation involves rapidly displaying sequential images to create the illusion of motion. It can be done by hand drawing or using software to animate graphics. 2. There are two main types of animators - lead artists who draw key frames showing major changes, and assistants who draw intermediate frames between key frames through a process called tweening. 3. Techniques of animation include onion skinning to see frames flow together, motion cycling for repetitive motions, and masking to make objects move behind protected areas of the frame. Color cycling and morphing are also techniques.

Web animation, interaction and user experiencesaya4

Final PaperNicholas Chehade

This document summarizes research on using image stitching and optical flow to generate panoramic views from video frames in real-time. Key aspects include: 1) Features are detected in frames using Shi-Tomasi corner detection and tracked between frames using optical flow. 2) A key frame is selected when less than half of features from the previous frame are successfully tracked, allowing sufficient rotation for homography calculation. 3) Homographies relating key frames are estimated and used to stitch and map frames to a cylindrical panorama for 3D visualization by a teleoperator. 4) Experimental results found the Shi-Tomasi/optical flow method was over 10x faster than SIFT/

Advanced animation techniquesCharles Flynt

AR/SLAM for end-usersRakuten Group, Inc.

A deep learning facial expression recognition based scoring system for restau...Venkat Projects

1) The document describes a facial expression recognition system for automated restaurants that uses CNN machine learning to analyze customer photos and determine if their facial expression indicates satisfaction or disappointment with their experience. 2) Customers submit photos of themselves along with a food rating, and the system sends photos to a server running CNN algorithms to predict the facial expression and save results to a database. 3) An admin user can log in to view all customer feedback including photos and predicted facial expressions to understand customer satisfaction levels.

CV_sarah_frisken_05.15.2016Sarah Frisken

Sarah Frisken received her Ph.D. in Electrical and Computer Engineering from Carnegie Mellon University in 1991. She has over 25 years of experience in research, teaching, and software development. Currently, she is a Research Associate at Brigham and Women's Hospital working on technologies to improve surgical outcomes for brain cancer patients. Her past experience includes founding two software companies and holding professor and research positions at several universities and research labs where she worked on medical imaging, computer graphics, and haptics.

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The Web in Motion: animation's impact on UI and web design

1. @RachelNabors .com

11. the web in motion with @RachelNabors

12. The Past, Present, and Future of Web Anima6on • How anima5on helps our users • Where has web anima5on been • And how this impacts how we build the web

13. The High Road through the Brain’s GPU

14. !me loca!on Animation is a visual representation of a rate of change over time.

19. We can use anima6on to indicate an element’s… Direction Solidity Momentum

20. Relationships Structure Cause & Effect These combine to reinforce…

22. RachelNabors.com

23. Jump Cut From ﬁlm, when the camera cuts directly to a diﬀerent perspec7ve.

24. InnerSanctum,1948

25. DropdowncourtesyofCodrops.

28. In-betweening From anima7on, extrapola7ng between two key frames.

30. What just happened?

32. ScottE.HudsonandJohnT.Stasko (1993) “By oﬄoading interpreta6on of changes to the perceptual system, anima6on allows the user to con6nue thinking about the task domain, with no need to shiC contexts to the interface domain. By elimina6ng sudden visual changes, anima6on lessens the chance that the user is surprised.”

38. WindowsCEMobilePhoneUI

39. TouchPhone…with…stylus…

41. Animacy How “alive” something appears to be.

42. It’sAlive!AnimateMotionCaptures Attention(2010) “(T)hese speeded responses appeared to be due to the perceived animacy of the objects… We conclude that animate mo6on does indeed capture visual aKen6on.”

45. If you want someone to notice something, make it bright and jiggly.

46. cracked.com/article_15239_the-5-most- annoying-banner-ads-internet_p5.html

48. Animacy and our Cone of Vision

50. When everything vies for our attention, nothing commands our attention.

51. A Brief History of Web Animation

53. Birth of SMIL, 1999 SMIL

54. Birth of CSS Animations and Transitions, 2009 CSS Transi6ons CSS Anima6ons

56. CSS Transi6ons CSS Anima6ons SMIL Seriously? Internet Explorer’s Reaction

57. One API to Rule Them All CSS Transi6ons CSS Anima6ons SMIL ?

58. Some years later…

59. ? Web Anima6ons API CSS Transi6ons CSS Anima6ons SMIL

60. CSS Transi6ons CSS Anima6ons SMIL ? Web Anima6ons API la mort de SMIL, 2015

61. cdpn.io/MwYMJe

62. cdpn.io/GZpREz

63. cdpn.io/PNYGZQ

64. rachelnabors.com/waapi

65. Support for the Web Animations API Let’s do this. Well, if you’re serious.

66. github.com/web-animations/web-animations-js 

67. The Impact of Motion on the Web

68. Firefox’stoolsat DevToolsChallenger.com

69. Chrome’sanimaRontooling

70. Sites using CSS anima6ons and transi6ons • animation 37.2037% • webkit-animation 39.8729% • transition 51.0801% • webkit-transition 45.6491% • justify-content 40.0321% • text-transform 51.9612% chromestatus.com/metrics/css/popularity

72. mojs.io

73. snapsvg.io

74. d3js.org

75. threejs.org

76. greensock.com

78. ibm.com/design

79. LightningDesignSystem.com

81. Storyboards

82. StoryboardforFerdinandtheBulltakenatthe DisneyFamilyHomeMuseum

83. Internal use storyboard for DevToolsChallenger.com

84. Mystoryboardtemplate  goo.gl/PyBXI7

85. Animatics